Sarah May Taylor’s practice involves representations of the female body, mother archetypes, and the role of memory as they intersect with notions of race, class, belonging and identity. She uses her work to ask questions about the ways in which personal narratives can serve as a form of resistance. She is a graduate of OCAD U’s Sculpture/Installation program.


My Mother's Garden, 2021

Photo credit: Toni Hafkenscheid




Self-Care Double Portrait 1, with Nicole Angela, 2020



Using Format